Exhibition

Exhibition

Max Touret
A Hitherto Unknown Master of Post-Impressionism

March 17 (The.) – May 23 (Sat.), 2026
Closed: Sundays and national holidays

Exhibition Introduction

This is the first solo exhibition of Max Touret (1872-1963) in Japan. As well as having a brilliant career as an engineer, he was also a superbly talented painter.
Although a few of his works were lost during the German occupation of the port of Honfleur during the Second World War, more than 350 pieces have remained to this day in the possession of his daughters and grandchildren. During his lifetime, Touret did not sell a single piece, instead devoting himself to painting for pleasure.
While Touret did not establish a new style of painting, he was among the artists who rigorously studied and applied theories such as divisionism or pointillism, which briefly influenced his work in the 1920s.
In 2019, the Eugène Boudin Museum in Honfleur, Normandy, acquired five of his works, followed by Les Franciscaines Deauville, but his work had not been publicly exhibited for a long time. It was four years later, in 2023, that the first solo exhibition of his work was held in his native France, at the Musée Eugène Boudin.
This exhibition is a valuable opportunity to view a collection of his works all in one place.

About this Exhibition

Honfleur, the beach at Butin

Private Collection

When you leave Max Touret’s villa, which he named la Maltournée, and turn towards the ocean, you will find yourself at the beach of Butin, one of the most famous spots in Honfleur, which is depicted in the work of Claude Monet (1840-1926), Georges Seurat (1859-91), and many others.
This piece by Touret, Honfleur, La plage du Butin (Honfleur, the Beach at Butin), depicts the view to the west, towards a lighthouse, with a unique composition that utilizes the coastline as a large diagonal axis.

Child playing with his boat

Private Collection

The figure of a child playing by a stream flowing through the garden of a farmhouse is depicted in an impressionistic style. This is a small, but intensely emotional piece, conveying the feeling that the artist is lovingly painting while thinking about his beloved grandchild playing and concentrating on a hand-made boat in the current. The landscapes of Touret frequently give the impression that the artist’s kind gaze is directed towards the people he depicts engaged in ordinary life.

The Henri IV Hotel in Caudebec-en-Caux

1909 Private Collection

This piece was produced before World War I, in 1909. In this period, Touret painted his subjects as though their outlines were clearly defined. This can be distinguished in stylistic terms from his 1920s divisionism with fragmentation of brush strokes, or the period in which he experimented with pointillism.

Charles V receives the Japanese embassy at the Moorish palace

Private Collection

Max Touret produced historical paintings with new and unique themes, including Charles Quint reçoit une ambassade japonaise dans un palais Maure (Charles V Receives the Japanese Embassy at the Moorish Palace), which he produced in the final years of his life, as well as a series entitled L'Ambassade indienne (étude) (The Indian Embassy (Study)), which developed from his personal connection with America.
The Keicho Embassy, dispatched to the King of Spain and Pope Paul V by Date Masamune, lord of the Sendai domain of Japan, met with the King of Spain in 1615, during the reign of Philip III, not Charles V (1500-1558). The subject of this work appears to be a product of the artist’s imagination.

Past exhibitions